Cross-posted from ISO 1200 Magazine
It’s a photographer’s house of horrors—a dark reception hall. Imagine yourself there. A warm ambiance fills the room, the bride and groom come together for a romantic first dance, and you’re all dialed in for the perfect exposure. Everything’s great. Then something happens!
Phillip Blume will lay out the easy system they at The Blumes use to create crisp, color-balanced, commercial-quality reception images every time. You’ll just need your camera, three cheap flashes, and a few rubber bands.