2018 Spaces Second Place Winner Profile – Viraj Andrew Bunnag

by | Jul 11, 2018 | Contests, Spaces 2018

Hua Hin, Thailand
https://www.vbunnagphotography.com/
Image © Viraj Andrew Bunnag

The Grand Staircase

Second Place – Self Promotion / Personal

ASMP: What was your inspiration for taking this photo?

Viraj Andrew Bunnag: I love the symmetry of this interior space with all the arches and the staircase leading towards the sculpture. I intentionally wanted to capture this image in monochrome because the lighting was very dramatic.

ASMP: What type of setting do you prefer?

VAB: Mostly manual settings for full control.

ASMP: Is there anything unique about your style or approach?

VAB: I don’t think so. When I was taking this shot I had already decided that I wanted a monochrome treatment, almost a high key or an Ambient Occlusion bleached style look.

ASMP: What type of lighting did you use for this image or series?

VAB: Whatever natural lighting available at the time was enough but having a fast lens also helps.

ASMP: What other photographers’ or artists’ work inspires you?

VAB: Steve McCurry, Irving Penn, Philippe Halsman, Agata Serge, Henri Cartier-Bresson, to name a few.

ASMP: When did you join ASMP and what do you find most valuable about your membership?

VAB: I joined in 2016 and appreciate the valuable resources provided by ASMP.

ASMP: What is the more important relationship you’ve formed through your ASMP membership?

VAB: Currently I am based outside the US so unfortunately it’s hard for me to network locally with fellow members.

ASMP: What kind of gear do you use?

VAB: Mostly Nikon DSLR for most of the work that I do. If I need a medium format then I would just rent one for that particular job. I do love my Leica M-P which I use constantly for portrait and street photography.

ASMP: What do you know now that you wish you had known when you first started your career as a photographer?

VAB: You actually spend more time networking, management and the business side of things than you actually do behind the lens

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