Photograph by Michael Huff Editor's Note: Clark James Mishler is a longtime ASMP member out of the Northern California Chapter. He is a professional photographer who has specialized in producing...
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Editor’s Note: This photo is on sale as part of an online auction in aid of charities combatting Covid-19 (bids close on 12 June). Photographer Mark Seliger is an ASMP Professional Member. Cross-posted from The Guardian [ by Mark Seliger] ‘Things were going pretty darn well for him. Six months later, I was shocked to learn he had passed’ I first photographed Nirvana in 1992 for Rolling Stone magazine in the midst of the band’s world tour…
Editor’s Note: Harry Benson is an ASMP Life Member. Cross-posted from The Annenberg Space for Photography This week, the Annenberg Space for Photography is pleased to announce “Casual Conversations: The Vanity Fair Talks,” a four-part series of virtual conversations between lauded Vanity Fair photographers and some of the publications current and former editors. Over the course of four weeks, ASP will host four presentations and conversations about the iconic imagery that accompanied the magazine’s investigative…
Editor’s Note: ASMP Professional Member Michael Clark is leading a two-session class next week called Dialing in Your Digital Workflow. As well as we all think we know digital workflow, Michael can teach us something. Get the course details and register here. Cross-posted from RedBull.com Michael Clark was a budding rock climber when he decided to turn his hand to photography. Today, he’s one of the world’s leading photographers of adventure sports. We caught up with…
Editor’s Note: Gail Mooney is a past ASMP National Board Chair and current ASMP Life Member. Her business partner, Tom Kelly, is also a current ASMP Life Member. Both are members of the New York Chapter. Cross-posted from Motion Arts Pro [by David Schonauer] Gail Mooney was self-quarantined before COVID-19. The New Jersey-based photographer and filmmaker (and occasional PPD contributor) has spent the past several months holed up finishing her latest film project, a documentary…
Editor’s Note: Dan Winters is an ASMP Professional Member. Cross-posted from The New York Times Kathy Ryan, director of photography: “For this week’s cover, Dan Winters photographed the Democratic presidential candidate Bernie Sanders in a Houston hotel just a day after he won the Nevada caucuses…” Read more
Join Kim Maroon in Portland, Oregon at her photo show – FAST WOMEN: An exploration of women who ride, race & wrench – a project that follows the growing presence and ever changing role of women in motorsports and motorcycle and hotrod culture. Event Details: Friday, March 6th 6:00 – 9:00PM Nemo Design 1875 SE Belmont St, Portland, OR Music: DJ Troubled Youth Facebook event At the turn of the century, women were performing in…
Editor’s Note: Alan Karchmer is an ASMP Professional Member. Cross-posted from Fast Company [by Evan Nicole Brown] After a temporary, three-month closure for renovations, Washington, D.C.’s National Building Museum is set to reopen to the public on March 13. The main renovations are focused on the building’s Great Hall, which is known for its 75-foot-tall Corinthian columns and gilded archways. In addition, the 19th-century concrete floor will be shored up with a modern foundation, and…
New York-based ASMP member, Andrea B. Swenson, traveled to Morocco for Whetstone to capture the world of communal bakers in Moroccan neighborhoods. Her images and her featured article ” The Communal Ovens of Morocco” appear in Whetstone Magazine Volume 5 published on December 15, 2019. “About the time I became aware of Whetstone – an indie food magazine – I knew I was going to Morocco later in that year. I contacted Whetstone and they…
Cross-posted from Musée. [By Kala Herh] David Hume Kennerly, longtime ASMP member, Pulitzer Prize winner for his work in Vietnam, personal photographer to a president, has seen and done it all. “The way I was brought up in the business, especially during my time as a UPI wire service photographer, was not to take hundreds and hundreds of pictures hoping to get a good one, but rather just wait until the moment happens. How many…