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	<title>Comments on: Your Monitor: The Keystone of Your Digital Workflow</title>
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	<link>http://www.asmp.org/strictlybusiness/2009/06/your-monitor-the-keystone-of-your-digital-workflow/</link>
	<description>It&#039;s Your Business</description>
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		<title>By: Jay Kinghorn</title>
		<link>http://www.asmp.org/strictlybusiness/2009/06/your-monitor-the-keystone-of-your-digital-workflow/comment-page-1/#comment-473</link>
		<dc:creator>Jay Kinghorn</dc:creator>
		<pubDate>Tue, 23 Jun 2009 14:52:08 +0000</pubDate>
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		<description>I&#039;ve had excellent results with monitors in the Eizo ColorEdge series as well. 

Jay</description>
		<content:encoded><![CDATA[<p>I&#8217;ve had excellent results with monitors in the Eizo ColorEdge series as well. </p>
<p>Jay</p>
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		<title>By: Michael Clark</title>
		<link>http://www.asmp.org/strictlybusiness/2009/06/your-monitor-the-keystone-of-your-digital-workflow/comment-page-1/#comment-470</link>
		<dc:creator>Michael Clark</dc:creator>
		<pubDate>Tue, 23 Jun 2009 02:53:40 +0000</pubDate>
		<guid isPermaLink="false">http://www.asmp.org/strictlybusiness/?p=730#comment-470</guid>
		<description>I&#039;d really suggest two monitors which are also recommended by Will Crockett who has done extensive real world testing:

1) Eizo ColorEdge CG222 which goes for about $1300

2) or the LaCie 324 which is a little less at $999.

Both display almost the entire Adobe RGB color space which is much better than most other monitors can. For Will&#039;s full review check out his thoughts here:

http://www.shootsmarter.com/index.php?option=com_content&amp;task=view&amp;id=165&amp;acat=16</description>
		<content:encoded><![CDATA[<p>I&#8217;d really suggest two monitors which are also recommended by Will Crockett who has done extensive real world testing:</p>
<p>1) Eizo ColorEdge CG222 which goes for about $1300</p>
<p>2) or the LaCie 324 which is a little less at $999.</p>
<p>Both display almost the entire Adobe RGB color space which is much better than most other monitors can. For Will&#8217;s full review check out his thoughts here:</p>
<p><a href="http://www.shootsmarter.com/index.php?option=com_content&#038;task=view&#038;id=165&#038;acat=16" rel="nofollow">http://www.shootsmarter.com/index.php?option=com_content&#038;task=view&#038;id=165&#038;acat=16</a></p>
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		<title>By: Jay Kinghorn</title>
		<link>http://www.asmp.org/strictlybusiness/2009/06/your-monitor-the-keystone-of-your-digital-workflow/comment-page-1/#comment-427</link>
		<dc:creator>Jay Kinghorn</dc:creator>
		<pubDate>Wed, 17 Jun 2009 16:30:20 +0000</pubDate>
		<guid isPermaLink="false">http://www.asmp.org/strictlybusiness/?p=730#comment-427</guid>
		<description>Thanks for your comments. I have several other articles you may find useful for addressing the selection of a new monitor and the practical issues involved with calibrating a monitor. 

You can find a discussion on sifting through the specifications involved with monitor selection on my book&#039;s Web site: http://perfectdigitalphotography.com/monitors.php

You can find an article on selecting and calibrating your monitor (part of a 4-part series on color management) on the Photo.net Web site. 
http://photo.net/learn/digital-photography-workflow/color-management/monitor-profiling/

If you begin calibrating your monitor to 100-120 cm2 (brightness) a gamma of 2.2 and a white point of 6500K you&#039;ll have a good starting point. There are some workflows needing to deviate from this standard, but this will serve you well as a starting point. 

Jay</description>
		<content:encoded><![CDATA[<p>Thanks for your comments. I have several other articles you may find useful for addressing the selection of a new monitor and the practical issues involved with calibrating a monitor. </p>
<p>You can find a discussion on sifting through the specifications involved with monitor selection on my book&#8217;s Web site: <a href="http://perfectdigitalphotography.com/monitors.php" rel="nofollow">http://perfectdigitalphotography.com/monitors.php</a></p>
<p>You can find an article on selecting and calibrating your monitor (part of a 4-part series on color management) on the Photo.net Web site.<br />
<a href="http://photo.net/learn/digital-photography-workflow/color-management/monitor-profiling/" rel="nofollow">http://photo.net/learn/digital-photography-workflow/color-management/monitor-profiling/</a></p>
<p>If you begin calibrating your monitor to 100-120 cm2 (brightness) a gamma of 2.2 and a white point of 6500K you&#8217;ll have a good starting point. There are some workflows needing to deviate from this standard, but this will serve you well as a starting point. </p>
<p>Jay</p>
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		<title>By: Boston Photographer-MWynne</title>
		<link>http://www.asmp.org/strictlybusiness/2009/06/your-monitor-the-keystone-of-your-digital-workflow/comment-page-1/#comment-424</link>
		<dc:creator>Boston Photographer-MWynne</dc:creator>
		<pubDate>Wed, 17 Jun 2009 12:02:56 +0000</pubDate>
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		<description>It&#039;s a good to keep in mind, but what features make a good monitor?</description>
		<content:encoded><![CDATA[<p>It&#8217;s a good to keep in mind, but what features make a good monitor?</p>
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		<title>By: Fort Lauderdale Photographer</title>
		<link>http://www.asmp.org/strictlybusiness/2009/06/your-monitor-the-keystone-of-your-digital-workflow/comment-page-1/#comment-422</link>
		<dc:creator>Fort Lauderdale Photographer</dc:creator>
		<pubDate>Wed, 17 Jun 2009 03:06:11 +0000</pubDate>
		<guid isPermaLink="false">http://www.asmp.org/strictlybusiness/?p=730#comment-422</guid>
		<description>This is a good article reminding us of the business aspect, but could you write another one explaining the practical aspect of buying a quality monitor and calibrating it?  I do both of these myself but it&#039;s always enlightening to hear how others do it.</description>
		<content:encoded><![CDATA[<p>This is a good article reminding us of the business aspect, but could you write another one explaining the practical aspect of buying a quality monitor and calibrating it?  I do both of these myself but it&#8217;s always enlightening to hear how others do it.</p>
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